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This book poses the question of what lies at the limit of philosophy. Through close studies of French phenomenologist Maurice Merleau-Ponty's life and work, the authors examine one of the twentieth century's most interdisciplinary philosophers whose thought intersected with and contributed to the practices of art, psychology, literature, faith and philosophy. As these essays show, Merleau-Ponty's oeuvre disrupts traditional disciplinary boundaries and prompts his readers to ask what, exactly, constitutes philosophy and its others. Featuring essays by an international team of leading phenomenologists, art theorists, theologians, historians of philosophy, and philosophers of mind, this volume breaks new ground in Merleau-Ponty scholarshipGCoincluding the first sustained reflections on the relationship between Merleau-Ponty and religionGCoand magnifies a voice that is talked-over in too many conversations across the academic disciplines. Anyone interested in phenomenology, art theory and history, cognitive science, the philosophy of mind, and the philosophy of religion will find themselves challenged and engaged by the articles included in this important effort at inter-disciplinary philosophy
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Phénoménologie --- Marxisme --- Merleau-Ponty, Maurice (1908-1961)
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Penser au geste nous conduit d’emblée à la référence à une série de codes (théâtral, sportif ou politique, etc.) dans lesquels il s’inscrit. Mais il semble que ces codes ne l’épuisent pas : le geste est au-delà des expressions déjà exprimées. Dans La structure du comportement et La phénoménologie de la perception, Merleau-Ponty dénonce les méconnaissances relatives au problème du geste corporel que véhiculent les interprétations physico-mécaniques et psychologiques classiques. D’autre part, il critique l’analyse philosophique moderne qui s’appuie sur une tradition cartésienne fondée sur la certitude du cogito. Merleau-Ponty propose un point de vue alternatif aux propositions de la tradition cartésienne et de la psychologie et nous invite à réfléchir au fait que le geste peut au moins être relié à trois dimensions : le corps, le langage, et même, au-delà, le silence au sein duquel il prend naissance pour se constituer en nouvelle expression.
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The philosophy of Maurice Merleau-Ponty was developing into a radical ontology when he died prematurely in 1961. Merleau-Ponty identified this nascent ontology as a philosophy of incarnation that carries us beyond entrenched dualisms in philosophical thinking about perception, the body, animality, nature, and God. What does this ontology have to do with the Catholic language of incarnation, sacrament, and logos on which it draws? In this book, Orion Edgar argues that Merleau-Ponty's philosophy is dependent upon a logic of incarnation that finds its roots and fulfillment in theology, and that Merleau-Ponty drew from the Catholic faith of his youth. Merleau-Ponty's final abandonment of Christianity was based on an understanding of God that was ultimately Kantian rather than orthodox, and this misunderstanding is shared by many thinkers, both Christian and not. As such, Merleau-Ponty's philosophy suggests a new kind of natural theology, one that grounds an account of God as ipsum esse subsistens in the questions produced by a phenomenological account of the world. This philosophical ontology also offers to Christian theology a route away from dualistic compromises and back to its own deepest insight.
Incarnation --- Metaphysics --- Merleau-Ponty, Maurice, - 1908-1961
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